Witness Protection Program
"The kids and the dog have fun, but you and I know what’s been done, cannot be undone." The music and the story behind the song "Witness Protection Program."
Witness Protection Program
Emilie and I had only been married a year when I overheard her speaking Italian (she’s a polyglot) in the kitchen one afternoon while I strummed my guitar. I wondered how she felt living in a place where few people spoke her language. My mind wandered, reflecting on all the small commitments we make as adults that gradually lead us towards isolation. From those daydreams came Witness Protection Program.
Watch: Witness Protection Program - Official Music Video
Its name and lyrics suggest the classic ieda of a mafioso hiding out after spilling the beans on his paisanos. Emilie had a linguistics conference in Napoli, which felt like a fitting backdrop for a video, so I thought, “Prendi due piccioni con una fava” (You can kill two birds with one stone), and off we went.
Directed & Edited: Zack Taylor - http://zacktaylor.net
Special thanks to: Nicholas Zuniga, Alberto Landolfi, Arturo Castaldi, City of Napoli, L' Antica Pizzeria da Michele.
Listen: Witness Protection Program
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Song Lyrics
She’s talking in Italian in the other room
Breaks my heart every time
When she asks me
Why’d you start so young?
You could have been a better one
But you came into my life like this
And it tasted so much better
When I was young
—
She’s crying over someone in the other room
Breaks my heart every time
So I ask her
Why’d you wait so long?
You could have found a better one
But you came into my life like this
And it tasted so much better
When we were young
—
I never go by my real name
The kids and the dog have fun
But you and I know what’s been done
Cannot be undone
—
I killed a man
So I had to pay
But I gave up their names instead
Now I ask myself
Why’d I start so young?
I could have been a better one
But they came into my life like this
And it tasted so much better
When I was young
—
I never go by my real name
The kids and the dog have fun
But you and I know what’s been done
Cannot be undone.
Lyric Cards



Song Info:
Album: Language of Ghosts
Released September 30, 2014
Scott Zuniga-Vocals, Guitar / Emilie Zuniga-Vocals / Chris Maresh-Bass / Wayne Salzmann II-Percussion / Evan Kaspar- Pedal Steel / Emily Burns McLeod-Mandolin
Co-produced by Maurice Chammah and Matt Puckett
Additional production and arrangements - Christopher Cox & Grant Johnson of Fat Fuse Music
Engineer - Grant Johnson
Additional Engineers - Brad Bell (Isla’s Promise, Witness Protection Program, Blood of a Poet, Slow Motion), Evan Kasper (Witness Protection Program)
Recorded and mixed at Good Danny’s in Austin, Texas
Additional tracking and mixing at Public Hi-Fi, Ohm Recording Facility, Church House Studios - Austin, Texas
Packaging and logo design - Sam Stroman & Scott Zuniga
Photographs - Ty Arnold (taken in Palmyra, Syria, 2010)
video & photo by: @zacktaylor.co (Instagram) - 2015
© 2014 Scott Zuniga. All rights reserved.
Demos & Extras
Notes:
To answer your question; yes, Emilie was talking in Italian in the other room. That’s what kicked off the inspiration for the song.
You hear stories about how great songs just pop into the songwriter’s brain one day, and the song is written in half an hour.
That did not happened with this song.
The first line happened right away, but the rest of the song took me seven years to write.
I thought it would be interesting to share the progression of demos to show how the song slowly came to life over the years.
This is the only song on Language of Ghosts that was recorded at three different studios in Austin; Public Hi-Fi, Good Danny’s and Ohm.
Witness Protection Program - Demo #1 - 2007
The melody and lyrics are coming together, but no sign of a chorus.
Emilie gives her unsolicited suggestions at the end :). She cringes every time she hears herself in this recording.
Witness Protection Program - Demo #2
The first idea seeds of the chorus are starting to form
Witness Protection Program - Demo #3
Almost complete. Here, I’m still working out the tempo and the “My real name” line, but the rest of chorus is complete.
Witness Protection Program - Demo #4 - 2009/10 Damascus, Syria
The lyrics are finalizes, now we’re working out the harmonies.
I like to sing slowly, over and over, to let Emilie riff the harmonies until we find something we both like.
We recorded this demo the year we lived in Damascus, Syria
Witness Protection Program - Live at The Parish, Austin, TX 2010
We did a single-song set to open for our friend Christian Glakas. I like the sound of the rolling bottle that happens during the first chorus. It fits the mood.
By this point, the song structure is complete. We’ll tighten the intro and arrangements in the studio three years later.
Witness Protection Program - Live at The Saxon Pub 2015
Recording Session Notes
Notes:
In December of 2014, Emilie and I traveled to Naples, Italy with our dear friend
Zack Taylor. For an entire week we stuffed ourselves silly on pizza, pasta and gelato and somehow managed to make a music video in between meals. I think Zack's direction and camera work beautifully capture the natural essence of this enchanting old port town.
The song's story literally began with Emilie 'talking in Italian in the other room' one night while I was strumming my guitar. Since then, I've dreamt of making a music video for it in Naples. I had never visited the city before but based on the mood of the song and what I knew about the gritty character of Naples, I had a feeling that the two would go together well. For me, the song's story comes to a fulfilling, heartfelt close with this video and the time we spent in Naples making it.
Very special thanks go to my brother Nick Zuniga for helping make this video possible. Also, thanks to Alberto Landolfi and Arturo Castaldi for letting us film on their beautiful roof and for giving us great filming location suggestions. Forza Napoli!
Production stills: